Saturday, August 09, 2008

Coming Soon: The Short Films

One of the very best things to happen to Disney animation since the arrival of John Lasseter and Ed Catmull has been the return of the Disney cartoon short subject. So much discussion and attention have been focused recently on both Bolt and The Princess and the Frog that the upcoming shorts Glago's Guest and The Ballad of Nessie have remained inconspicuously under the radar. However, Walt Disney Animation Studios newly launched web site provides a sneak peek of both. Glago's Guest is most certainly a departure from the traditional and reflects the Pixar philosophy to be unconventional and step out of the box.

According to the web site, "Glago's Guest follows the intriguing and thought-provoking story of a lonely Russian soldier stationed at a remote Siberian outpost. When the soldier's solitude is interrupted one day by the arrival of a strange new 'guest,' Glago is jolted out of his uneventful daily routine but soon comes to realize that things aren't always what they appear be." Conceived and directed by Chris Williams, the short will be a sharp contrast in theme and style to Williams' slightly more high profile feature directorial debut. That would be Bolt.

The Ballad of Nessie is purported to have ". . . art direction evocative of the Disney shorts of the 1940s and 50s." It is directed by Stevie Wermers and Kevin Deters.

Explore the 2719 Hyperion Archives:

How to Hook Up Your Home Theater

Images © Walt Disney Company

Treasures Beyond Compare

Arriving in stores November 11, 2008.

Exciting news indeed as the Donald Duck set will mark the completion of the Donald Duck shorts on DVD. Destino, which had been slated for release on the now defunct Legacy imprint and was initially announced to be part of the 2008 wave, has apparently been postponed again. Hopefully, a final Rarities set will be released in 2009, thus completing the release of all Disney produced cartoon shorts on DVD.

Friday, August 08, 2008

Donald Duck at Grauman's

Here is an interesting side note to our recent posts here and on Boom Pop! concerning Grauman's Chinese Theatre. Despite the theater being the setting for Mickey's Gala Premier, neither Mickey Mouse, nor Walt Disney were ever among the celebrities immortalized in the theater's cement block forecourt. However, in 1984, Donald Duck, along with his good friend Clarence Nash, did make an impression as part of the celebration for Donald's 50th Birthday.

Wednesday, August 06, 2008

Snapshot: Disneyland! - Big Thunder Mine

Much of the set pieces that surround the Big Thunder Mountain Railroad at Disneyland are authentic. This particular contraption certainly looks like an original. If any 2719 reader is an expert on mining equipment, please feel free to educate us to its name and purpose.

Tuesday, August 05, 2008

Stargazing at Mickey's Gala Premier

Who was who in Hollywood in 1933? You need only look as far as the Mickey Mouse cartoon Mickey's Gala Premier for the answers. Released on July, 1, 1933, it featured over forty caricatures of motion picture celebrities. In the short, all of Tinseltown turns out for the premiere of "Galloping Romance," a short-within-the short remake of Gallopin' Gaucho.
The momentous event was held at the famous and now iconic Grauman's Chinese Theater, located at 6925 Hollywood Boulevard. Famous for its forecourt celebrity footprints in cement, the theater was built by showman Sid Grauman, whose partners in the endeavor included Mary Pickford, Douglas Fairbanks and Howard Schenck. It opened on May 18, 1927 with the premiere of the Cecil B.DeMille film The King of Kings. In 1989, the theater's front facade and forecourt were recreated as the entrance to the Great Movie Ride at the Disney-MGM Studios in Walt Disney World.

Mickey's Gala Premier was just five years removed from Hollywood's silent era, and so it's not surprising that numerous silent film stars are featured in the short. Director Burt Gillette and his crew reached back nearly two decades when they included five of the Keystone Cops. Numerous individuals throughout the silent era were members of Mack Sennett's group of slapstick players. Mickey's Gala Premier showcased four of the more famous officers: Ben Turpin, Ford Sterling, Max Swain and Chester Conklin. The Cop between Swain and and Conklin has been identified by some sources as Harry Langdon. Langdon was a silent film comedian who worked for Mack Sennett but was never cast as a Keystone Cop.

Another famous silent film comedian, Harold Llyod, is joined at the radio microphone by actors Edward G. Robinson, Adolf Menjou and Clark Gable. Robinson appears as the character Rico from his 1931 movie Little Caesar.

Three of the era's best known starlets took their turn at the microphone: Jean Harlow, Joan Crawford and Bette Davis. Crawford appeared in the costume of her character Sadie Thompson from the 1932 film Rain.

The biggest draw at the box office in 1933 was Marie Dressler who appears in the cartoon with her frequent co-star Wallace Berry. The two had then recently worked together in the films Dinner at Eight and Tugboat Annie. Their most famous pairing was the 1930 movie Min and Bill, for which Dressler won an Academy Award for Best Actress. That movie was also the inspiration for Min and Bill's Dockside Diner, a counter-service restaurant at Disney's Hollywood Studios.
Famous then and famous now are the Marx Brothers--Groucho, Harpo, Zeppo and Chico--and Stan Laurel and Oliver Hardy.

In his guise as the Little Tramp, Charlie Chaplin attempts to sneak past theater owner Sid Grauman.

Eddie Cantor appears in his role from The Kid from Spain, released in 1932. Maurice Chevalier and Jimmy Durante also take turns at the radio microphone. In the 1960s, Chevalier would appear in the Disney live-action films In Search of the Castaways and Monkeys Go Home. He also recorded the title song for The Aristocats shortly before his death in early 1972.

The Barrymore siblings, Lionel,Ethel and John, appear in their roles from the 1932 movie Rasputin and the Empress.

The perpetually morose Buster Keaton does not share a laugh with famous big mouth Joe E. Brown.
Helen Hayes had just won an Academy Award in 1931 for her performance in The Sin of Madelon Claudet. She is seated nearby to Chester Morris, Gloria Swanson, George Arliss and William Powell. The following year, Powell would assume his most famous role of Nick Charles in The Thin Man. Morris would become famous a decade later for his series of Boston Blackie movies.

Classic monsters Dracula, Mister Hyde and the Frankenstein monster, as portrayed by Bela Lugosi, Fredric March and Boris Karloff respectively, display their more jovial sides.

Bert Wheeler and Robert Woolsey are largely unremembered today, despite being one of the most popular comedy acts of the 1930s. Ed Wynn is well known to Disney fans for his roles in films such as Mary Poppins, That Darn Cat, The Gnome-Mobile and Alice in Wonderland.
Mae West recreates her persona from the movie She Done Him Wrong. She invites Sid Grauman to "Come up and see me sometime." Greta Garbo was one of the decade's most famous leading ladies.

Will Rogers lasso's Mickey while Douglas Fairbanks is overcome with laughter and begins rolling in the aisle. Rogers appears in the The American Adventure at EPCOT.

Disney animators were none too kind when they created this caricature of Will H. Hays. Famous for the Hays Code, he was the first president of the Motion Picture Producers and Distributors of America, the forerunner of the current MPAA. He was known in Hollywood as the "Censorship Czar," thus explaining his costumed appearance in the cartoon.

And who are these three gentlemen standing next to Groucho Marx in one of the shorts final scenes? The one on the right bears a very strong resemblance to certain famous cartoon-maker of the era. Hmm . . .

Images © Walt Disney Company


Explore the 2719 Hyperion Archives:

Behind the Walls of Hollywood Studios
Freeze Frame! - Mickey's Polo Team

Explore Boom Pop!

Greetings From Grauman's Chinese Theatre

Sunday, August 03, 2008

The Mystery of the Cinderella Award

While recently doing research on a Disney-related project, I stumbled upon a curious set of archived photographs. The pictures were from the morgue of the long defunct Los Angeles Examiner and related to a beauty pageant held at the Pantages Theatre in Hollywood on April 3, 1951. A very brief annotation identified the affair as "the Cinderella award."

The photographs show ten contestants in matching gowns that are clearly derived from the gown Cinderella wears in the Walt Disney adaptation. In one photo, the contest winner is being presented with a check that appears to be from Walt Disney Productions. Another photo has the MC and contest winner posing with an older woman--a guest of honor or Cinderella-related celebrity?

It is interesting to note that five days earlier on March 29, 1951, the 23rd Academy Awards Ceremony was held at the same Pantages Theatre. Walt Disney's production of Cinderella was nominated for three Oscars that year.

Unfortunately, the actual story archives for the Los Angeles Examiner are inaccessible online, at least from where I sit here in North Carolina. If anyone has any further information about the Cinderella award, the identities of the individuals pictured, or access to the original Examiner story from April of 1951, please contact us via email or the comments section.

Friday, August 01, 2008

From the Mailroom: Patrick J. Ryan

We've fallen behind again with our Mailroom duties, so we'll at least catch up by one email. A reader named David writes in with the following question:

Hi Jeff,

My family and I were on The Great Movie Ride recently and noticed the name Patrick J. Ryan in the underworld area. Is this a homage to an Imagineer or some type of movie secret? We doubted that the name was just created out of thin air. Any ideas?

Thanks for writing David. The reference to the name Patrick J. Ryan in The Great Movie Ride is both obvious and elusive at the same time. Ryan is a character in the 1931 film The Public Enemy, which the guides mention specifically in their narration. What makes the character's name a bit elusive is that the name used primarily in the film and listed in the credits is Paddy Ryan. In the film, Ryan is a bootlegger and eventual mobster boss who brings James Cagney's character of Tom Powers into Ryan's criminal operation. Ryan was portrayed by actor Robert Emmett O'Connor.

Imagineers were not so much planting a movie secret with the Ryan reference as they were simply duplicating a set piece from The Public Enemy. In a scene from the movie, the Patrick J. Ryan Bar is fire-bombed by gangsters. Imagineers faithfully recreated that particular building facade which appears for just mere seconds in the film.

It is interesting to note that while it seems that the James Cagney audio-animatronic is based on the Tom Powers character from The Public Enemy, the scene depicted does not actually appear in that particular film.

The Gangster Alley set in The Great Movie Ride also makes reference to another James Cagney 1920s-era gangster movie. Matt Hochberg has documented at his Studios Central site two references to the 1939 film The Roaring Twenties. The Red and Blue Cab Company and Gold Shield Whiskey are both derived from that movie.

Thursday, July 31, 2008

"How About a Nice Firm Handshake?"

It's a fast but very fun sneak peek at the upcoming The Princess and the Frog. Take a look!

Image © Walt Disney Company

Who Lives in the Echo Lake Apartments?

Its time once again for a little theme parkeology, so we are going to head over to an interesting "dig site" at Disney's Hollywood Studios at Walt Disney World.

The Echo Lake Apartments are located between the Hollywood & Vine restaurant and the Tune In Lounge in the Echo Lake area of the Studios. According to the mailboxes located just to the right of the building entrance gate, there are ten apartments in the building. The residents listed on the mailboxes are:

Apartment 101: Polk/Olson

Apartment 102: Hamilton/Gray

Apartment 103: Mr and Mrs Kilankowski

Apartment 104: Roberdeau - John Roberdeau Drury

Apartment 105: T. Kirk

Apartment 201: Beyer/Quinn

Apartment 202: Vais

Apartment 203: Dietzel/Benson

Apartment 204: Empero/Zovich

Apartment 205: Mr and Mrs D. Yanchar

It appears that the names listed represent Imagineers who were part of the team that created the Disney-MGM Studios in the late 1980s. We've done some digging and have been able to identify most of those names. Where possible, we have also provided a job title or description for each individual, though it may not have been the one held in 1989 when the Echo Lake Apartments were created.

Apartment 101: John "Robin" Polk (found listed in credits for Expedition Everest); John Olson (Designer and Field Art Director)

Apartment 103: Joe Kilankowski (Senior Architect)

Apartment 104: John Roberdeau Drury (former Design Director)

Apartment 105: T. Kirk - Tim Kirk (Design Director and brother of Steve)

Apartment 201: Steve Beyer (Senior Concept Designer)

Apartment 203: Barbara Dietzel (Was quoted in a 1989 New York Times article about the Prime Time Cafe)

Apartment 204: Tami Empero; John Zovich (WDI engineer, chief engineer of EPCOT)

Apartment 205: Mr and Mrs D. Yanchar - Dave Yanchar (Currently works at WDI on Tokyo Disneyland projects)

The following residents remain unidentified: Hamilton, Gray, Quinn, Vais and Benson.

We welcome any corrections and further identifications. And if by chance you happen to be one of the actual residents of the Echo Lake Apartments, we'd love to hear from you and would be interested in knowing what part you played in the creation of Disney-MGM Studios.

Update: Jeff Kurtti has provided two possible additional identifications. D. De Gray designed graphics for WDI from 1981 to 1984; an artist identified as Lei Vais produced four pieces of work for the then Disney-MGM Studios. Jeff also reviewed my initial list of identifications and helped ID a couple; I was remiss in acknowledgement so -- thanks, Jeff!

Wednesday, July 30, 2008

Walt Disney Productions - 1973

Thirty-five years ago today, an article appeared in Time Magazine entitled "Disney After Walt is a Family Affair." Here are some interesting excerpts:

But the 50-year-old small-family firm, launched on $40 and the scrawny figure of a four-fingered mouse, has grown to encompass two of the country's major tourist attractions—Disneyland and Disney World; motion-picture-and television-producing Buena Vista studios; WED Enterprises, an engineering and design group that is fondly known as the "imagineers" and is responsible for many of the technological wonders of Disneyland and Disney World; several hotels, a travel service, a record company, a music-publishing corporation and a touring company; toy-manufacturing and merchandising operations; the governments of two legally constituted municipalities within Disney World; and, through Disney endowments, the California Institute of the Arts in Valencia, Calif.

Only two animated features have been produced since 1966: The Aristocats, already in preparation when Walt Disney died, and Robin Hood, to be released this fall. Disney pictures now tend to be the live-action variety; animation has become prohibitively expensive, and the Disney studio suffers from a shortage of good animators. The average age of the key animation staff is now 55, and energetic recruiting among young artists has not filled the gap. "They're trapped in a cozy formula," complains one disgruntled refugee from the mouse factory. "They're not doing any original work."

Thus far, Walt Disney Productions' belief in its founder's formula—and in what Roy Disney called the "ten-year plan" he left behind —has been enough. The next logical step, says one executive, would be an outdoor recreation facility along the lines of the Mineral King project in California, now suspended because it brought the Disney vision of progress into a head-on collision with conservationists. And always, off in the future, is EPCOT (for Experimental Prototype Community of Tomorrow), the perfect city Disney hoped to build adjacent to Disney World, complete with a climatic umbrella to regulate the weather.

Author Ray Bradbury, convinced that only the man who invented Disneyland could organize the urban chaos of Los Angeles, once asked Walt Disney to run for mayor of that city. Disney only smiled. "Why should I want to be mayor," he inquired, "when I'm already king?" The king is not dead; he may live as long as the ten-year plans keep working.

Monday, July 28, 2008

Imitation is the Sincerest Form of Flattery . . .

I love traditional amusement parks, if only for their always interesting histories and pop culture influences. On a recent trip to Erie, Pennsylvania, I jumped at the opportunity to spend a couple hours strolling through Waldameer Park, a small but still lively traditional park that has been in operation since 1896. My hope was to collect material for my recently debuted pop culture blog Boom Pop! But alas, I was unable to completely escape my Disney muses . . .

Sunday, July 27, 2008

Introducing Boom Pop!

"Do you like anything other than Disney?"

Why yes, as a matter of fact I do . . .



Introducing Boom Pop!

My passion for Disney history and entertainment has been showcased here since September of 2006, but 2719 Hyperion has also in many ways created the perception that my interests are exclusive to the likes of Mickey Mouse and Walt Disney World. In reality, my baby boomer roots have long inspired an interest in 20th century popular culture that extends well beyond the creations of the Walt Disney Company.

The most important rule I established for 2719 Hyperion was to keep it true to its subject--Disney entertainment. Other Disney online journalists and bloggers often extend beyond these boundaries. (A popular and established Disney blog recently published a review of Hellboy II for example.) I must admit, I too have felt similarly inclined at times to take 2719 outside of its original symbolic Hyperion Avenue thematic address. Wouldn't it be cool to do a Freeze Frame! featuring a Looney Tunes cartoon? Discuss World's Fair attractions unrelated to Walt Disney? Celebrate my love for classic Hollywood motion pictures? But such considerations always ended up bumping into that pesky Addressing the Many Worlds of Disney Entertainment mission statement that I attached to my online identity.

Of course, the solution was relatively simple. Thus, Boom Pop! has been born.

Boom Pop! will be in fact very similar to 2719 Hyperion in format and design. It's a comfortable fit for me and I'm a firm believer in the Keep It Simple, Stupid philosophy. Many 2719 Hyperion staples will be reinvented there--Snapshot!, Freeze Frame! and What a Character! just to name a few.

Take a look! As the content for Boom Pop! emerges over the next few weeks, please let me know what you think, either via the comments sections or by direct email. Your feedback is always welcome and very much appreciated.

Saturday, July 26, 2008

Hey Kids! Comics! Hopefully . . .

I am very excited about the news that emerged out of San Diego this week about the agreement reached between BOOM! Studios and Disney to create a new Disney-Pixar comic book imprint. According to the Diamond Comics online newsletter Scoop:

The comics will feature the new animated classics, the groundbreaking Toy Story series and blockbuster summer hit Finding Nemo, along with Pixar’s newest box office success, Wall*E. Boom! Studios Editor-in-Chief Mark Waid will be writing The Incredibles comic book, with cover art by Darwyn Cooke, writer-artist of DC: The New Frontier. He commented, “Today, American comic books are aimed primarily at an older readership. Comics produced for an upcoming generation of readers are scarce, and Boom! Studios aims to do something about that…There will be comics for kids again!”

I hope the endeavor is successful, but it will certainly be a challenge for BOOM! Studios to engage the coveted younger "tween" demographic. Disney attempted to do so some twenty years ago with its internal Disney Comics imprint and similarly attracted mainstream comic talent such as Marv Wolfman to its editorial staff. The effort was shut down within a few years. Gemstone Comics has in recent years attempted to publish Disney comics featuring the core canon of characters such as Mickey Mouse and Donald Duck and appeal to both older and younger demographics via both reprinted vintage material and foreign imports primarily from Europe. They too have generally failed to connect with younger readers.

Over the past few decades, comic book publishers have sadly abandoned these younger readers and allowed the 16-25 male demographic to hijack the industry. Even Disney essentially sold out to this marketing dynamic when it licensed properties such as the Haunted Mansion and Gargoyles to SLG, a small independent publisher who produced somewhat off-center interpretations of the material and sold the comics primarily through comic shops and Hot Topic stores.

Accessibility still seems to be the main issue in getting comic books back into the hands of young readers. During the 1950s and 1960s, comic books could be found everywhere and were a staple product of corner drug stores, five-and-dimes and even many grocery stores. In the 1980s, comic book retailing shifted more into a specialty store business that quickly narrowed its audience to the aforementioned young males. The neighborhood comic book shop is generally not a place where families with young children frequent, and even then, most comic book retailers rarely give shelf space to anything other than superhero or goth-based fare.

I applaud Darwyn Cook's energy and enthusiasm in exclaiming "There will be comics for kids again!" However, BOOM! Studios and Disney will most certainly need to somehow reach beyond the current comic book industry distribution status quo to reach those younger and hopefully receptive new readers.

Harriet Burns 1928 - 2008

Born in 1928 just a few months before Mickey Mouse debuted in Steamboat Willie, Harriet Burns would go on to be a pioneer of Disney entertainment in so many ways and on so many levels. She passed away on Friday, July 25, and leaves behind a rich and varied creative legacy.

A Texas native, Burns was educated in art and design before moving to Los Angeles in 1953. She designed sets and props for The Colgate Comedy Hour, interiors for a number of Las Vegas hotels and was integral in the creation of the southern California tourist attraction Santa's Village near Lake Arrowhead.

Burns was hired by the Disney Studios in 1955 as an artist and designer for the then brand new Mickey Mouse Club program. Among her more notable creations for the show was its iconic Mickey Mouse Clubhouse set piece. Jeff Kurtti notes in his upcoming book Walt Disney's Imagineering and the Genesis of the Disney Theme Park:

Burns also contributed, along with art director Bruce Bushman and concept designer Roy Williams, to the decidedly modern, graphic styling of the show. At the same time as Walt Disney’s art designs were beginning to be classified in the eyes of the intellectuals as traditional and homogenized, Disney’s designers continued to experiment with bold new stylistic initiatives. “Well, [Walt] wanted a variety. We did wild things for that period; we had various props and backgrounds that were fun and lighthearted. We often used a Steinberg 4 art style. And he dug that. It seemed really amazing because he had a lot of ‘Victorian’ and ‘Main Street’ in his background.”

Burns joined WED shortly thereafter, the first woman to enter the ranks of the early Imagineers. She, along with Wathel Rogers and Fred Joerger, became the nucleus of WED's original model shop. Among her more notable contributions in those early days of Imagineering were the amazing and highly detailed miniature set pieces of Disneyland's Storybook Land attraction. She would go on to work on a wide variety of projects over a career with Disney that would extend past three decades. She contributed notably to other theme park designs including the Matterhorn, Pirates of the Caribbean, the Haunted Mansion and the Enchanted Tiki Room. Her skills also helped bring to realization many of the Disney-designed attractions for the 1964-65 New York World's Fair. Burns retired from the Walt Disney Company in 1986. She was honored as a Disney Legend in 2000.

Images © Walt Disney Company

Wednesday, July 23, 2008

Adventures in True Life

The great outdoors beckon! Let's spend the next part of our summer vacation on a trip through nature's wonderland.

Explore the 2719 Hyperion Archives:

Desert Living in the Living Desert
The True-Life Winston Hibler
A Different Kind of Disney Adventure

Monday, July 21, 2008

A South of the Border Holiday

For our next vacation jaunt, let's head south of the border for some caballero-inspired fun and festivities.

Explore the 2719 Hyperion Archives:

Caxanga!
What a Character! - The Aracuan Bird
Comic Book Caballeros
Snapshot! - Burrito at Panchito's
Las PosadasTaking the Gran Fiesta Tour
Festival de los Mariachis

Sunday, July 20, 2008

Snapshot: Disneyland! - The Gullywhumper

The Mike Fink Keelboats have not navigated the Rivers of America in Disneyland for over a decade. On May 17, 1997, the Gullywhumper tipped over, dunking a boatload of guests. Fortunately, no one was seriously injured, but the Gullywhumper was ultimately retired to this remote area of Tom Sawyer Island. The Gullywhumper's sister boat, the Bertha Mae, was sold on eBay in 2001.

Saturday, July 19, 2008

Vacation at Brownstone

Summer is the perfect time for a vacation trip to one of our famous and picturesque national parks. How about a tour of Brownstone?

Explore the 2719 Hyperion Archives:

What a Character! - Ranger J. Audubon WoodloreIn the Bag - July 27, 1956
Happy Birthday Humphrey! Well Sort of . . .
Snapshot: Disneyland! - Fire Hazard: Medium
Snapshot! - Bear Crossing

Thursday, July 17, 2008

You Don't Look a Day Over Forty . . .


Explore the 2719 Hyperion Archives:

The Disneyland (Four Color) Birthday Party

On this day, Disneyland's 53rd Birthday, we commemorate the 50th Anniversary of a comic book the celebrated the third birthday of the Happiest Place on Earth.

Walt Disney's Disneyland Birthday Party was a Dell Giant comic book published during the summer of 1958.