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Tuesday, May 01, 2018

What a Character! - Spike


One of Disney's lesser known characters recently resurfaced at the 2018 Epcot International Flower and Garden Festival. So what better occasion than this to revisit that certain cartoon insect who was the bane of a famous duck's existence during the heyday of classic Disney animation.

Alternately referred to as either Spike or Buzz-Buzz, the little fellow proved to be a worthy adversary to Donald Duck. Of the name confusion, author and Disney historian John Grant noted "It is certain that the bee who appeared in Bee on Guard was called Buzz-Buzz; a bee antagonized Donald in six other shorts, and this bee was often called Spike. The two bees are, to this eye at least, hard to tell apart; it is possible that any perceived differences may simply be the result of different artists working at difference times."

Spike made his debut in the 1948 cartoon Inferior Decorator. Fooled initially by Donald's flower print wallpaper, he quickly falls victim to the duck's trademark bullying. While Donald tends to maintain the upper hand throughout the short, the plucky Spike perseveres and comeuppance is ultimately delivered in the end.

Spike switched headliners in his second appearance, trading pratfalls with Pluto in the 1949 cartoon Bubble Bee. The short plays off of two totally oddball premises. First, that Pluto finds himself coveting bubble gum balls from a gumball machine. Second, that for some bizarre reason, Spike is pilfering said gumballs and hiding them in the nearby hive. A succession of bubble gum-based gags quickly follows and similar to Donald's previous fate in Inferior Decorator, Pluto also gets it in the end.

Spike returned to Donald Duck cartoons that same year in Honey Harvester, and remained the malicious mallard's co-star for his remaining five appearances. Slide, Donald, SlideBee at the Beach and Bee on Guard all featured similar bee-duck craziness. But Spike's final appearance in 1952's Let's Stick Together turned out to be an unintentionally appropriate swan song. An older version of Spike is seen reminiscing about an earlier, and often contentious partnership with Donald. Most notable about the short was that the older Spike was given a normal voice, distinctly different from prior appearances where he had always communicated via high pitched buzzes and squeaks. This is especially ironic in that longtime Donald Duck director Jack Hannah once noted the benefit of this particular attribute, saying "You can get a funny sound effect out of a bee. They can cuss you out with that little bee noise." This older Spike was also similar in personality to another insect supporting player, Bootle Beetle, who co-starred a few times with Donald during roughly the same time period.



Of the end of Spike's career, John Grant observed, " . . . it is very interesting that this retrospective [Let's Stick Together] should appear so abruptly, and at a time when the bee's career looked to be highly successful -- as if, indeed, he was all set to become a regular fixture in Duck movies in perpetuity. One can only assume that Disney overestimated his popularity."

Monday, March 08, 2010

The Lake Buena Vista Story, Part One: 1969 - 1975

(The following represents the newest entry in my Buena Vista Obscura series which I began last year with my coverage of the Golf Resort. I then put the articles on hold pending further research, which I can now proudly say has paid off with this opus. It will be posted in four parts, one each week, and represents nearly a year and a half of information gathering. Enjoy, I know I did! -FoxxFur)





“Situated in a peaceful, pine woods and water-entwined corner of Disney’s 43-square-mile Vacation Kingdom in Florida is Lake Buena Vista, the Host Community to Walt Disney World. Just off Interstate 4 and State Road 535, this nature-inspired city provides the ultimate in vacation lifestyles.”

What follows is the story of one of Walt Disney World’s most ignored and least understood construction projects. Disney themselves seem loathe to admit what they were up to, back in the early 70’s, which is a shame because the armchair Disney historian, so often so quick to condemn the seventies leadership for their shortsightedness and especially their failure to realize Walt Disney’s E.P.C.O.T. project, may be surprised to learn of the ways the company was actually working towards that goal – on a perhaps more realistic scale. Call it the second draft of the EPCOT city. Disney called it “the Resort Community of Lake Buena Vista”.


It’s debatable whether plans for the Progress City, as it was advertised at the finalie of the Carousel of Progress, in the Walt Disney Story and elsewhere, lived much longer than Walt Disney did. What is on record, however, is that the company continued to actively publicize the Progress City model, even taking time to remove a portion of it from the Disneyland Carousel of Progress and ship it over to Florida for installation along the Florida Peoplemover track in 1975. Since their own community building effort was underway by that time, had they wanted to suppress the Progress City concept they presumably would not have gone to such pains to keep the model on public display, as it still is today. So perhaps there is some truth to Disney’s old publicity claim that Lake Buena Vista was “the experimental prototype of the experimental prototype”. Where the connection may be may lie in the fact that much of Disney’s efforts in Lake Buena Vista lay in community planning, ecologicly friendly construction, and the involvement of American industry leaders and Florida state transportation.

But I’m getting ahead of myself… what exactly was Lake Buena Vista?

To answer that we have to start at the beginning, further back than the existence of Walt Disney World itself, actually. Back in January 1970, Disney opened the first little bit of Walt Disney World available to a paying public, an unassuming square building which stands today, but which was then known as the Walt Disney World Preview Center, on Preview Blvd, off state road 535 in Orlando. At this time, a natural body of water behind the preview center, called Black Lake, became Lake Buena Vista.

The name Lake Buena Vista has always struck me as the most inspiring of names for almost-fake towns, a romantic invocation, three of the best words in the Disney lexicon put in the best order possible. Buena Vista, of course, was Disney’s distribution company created out of his break with RKO in 1950. Walt Disney World did then and does now incorporate the municipalities (Disney callas them “towns”) of Lake Buena Vista and Bay Lake, which looks better and less commercial on government maps than “Disney World”. In any case “Lake Buena Vista” is a way better moniker than “Celebration” any day of the week for my money.

A few months after the opening of the Preview Center, construction began along Preview Blvd on the Lake Buena Vista Hotel Plaza, ready to open for guests by Walt Disney World’s second year: Howard Johnson’s still distinctive white tower, a sprawling Dutch Inn, a Royal Plaza which still is memorable for looking like the Contemporary cut in half, and a TravelLodge. By this time, Disney engineers had already begun excavation on Lake Buena Vista, carving out of a canal leading from Black Lake a wider lake which they named Village Lagoon, and kept on digging a complex canal system which eventually wound its way westward and then northward, branching and working its way north all the way past Fort Wilderness and emptying into Bay Lake. These canals still exist today and are known as the Sassagoula River by modern day guests staying at Dixie Landings and Old Key West.

Around this time, the first Vacation Villas began construction on the Village Lagoon and this, my friends, is where our story truly begins. At first, the idea behind these two-level modern little townhouse style homes is that they could be leased or sold to corporate partners to provide a company owned, Disney maintained getaway or to provide incentives or other rewards. In Disney World terms these were truly “out in the sticks”, nearby nothing except the hotel plaza and SR 535 – and this was back in the day when the Lake Buena Vista complex was not internally linked to World Drive, the major tourist artery to the Magic Kingdom – you would have to get back on Interstate 4 via 535 and continue down until you got to the formal 194 / I-4 interchange and could proceed to Walt Disney World.

Entertaining on the Villas' porch

But the Villas faced a peaceful little inlet, and there was a secluded pool, a cove for water launches, and in the earliest years they must have seemed like you had all of Disney World to yourself.

Relaxing at the Villas' pool, late 1970's


The Vacation Villas were perhaps most famous and well-remembered by longtime Disney World visitors as being the strange, low, grey buildings which faced the Walt Disney World Village / Marketplace until 2001. They were perhaps not too astonishing in design – looking more or less like any other apartment complex that could’ve been built in the 1970’s or 1980’s – but for accommodations, they were working overtime. From a 1976 Disney World publication: “For larger families and groups, the spacious one- and two-bedroom Villas provide plenty of room. Each is elegantly furnished and includes all the conveniences – kitchenware, color television, linens and daily housekeeping service. In addition, [Vacation Villa] guests receive complimentary motor coach transportation to the Magic Kingdom and the Walt Disney World Resorts.”


Above, a 1974 promotional image showing the dramatic three-level interior of the Villas. Below, a 1980 view of the outside of a Vacation Villa, and if you look through the window you can see the distinctive wallpaper and signature modern staircase at the back of the living room. A 1987 promotional image better showing the staircase and living room follows.


The Vacation Villas were not long all by themselves along the Village Lagoon. By early 1974, the Lake Buena Vista Golf Course opened alongside the Village Lagoon and extending northwards towards Bay Lake. Designed by Joe Lee, the golf course was “designed with mid-handicap players in mind [but] the Lake Buena Vista course is still challenging enough to be included on the TPA Tour.” Still one of the best and few remaining places to escape back into old Walt Disney World still operating today, the Golf Course was soon followed by its own clubhouse – the Lake Buena Vista Club.

Concept art for the Clubhouse

Opening November 22, 1974, the four million dollar Club was an unassuming little two level structure, the first floor buried to provide a charming entryway from the driveway while allowing the ground to slope away on the water side to provide diners a spectacular elevated view. Built in a Swiss Chalet style, the Clubhouse more or less accommodated just five functions: the Lake Buena Vista Club restaurant, the Lake Buena Vista Club Pro Shop, a pool, lighted tennis courts, and a boat rental and transport marina. In May of the following year, the Marina would host boats leaving every twenty minutes to putter their way across the Village Lagoon over to the Lake Buena Vista Shopping Village.


As inauspicious as it may seem today, the Lake Buena Vista Club was amongst Disney’s earliest efforts towards providing a truly high-end dining experience, along with another early restaurant at the Contemporary which has similarly gone by the wayside, the Gulf Coast Room, and The Trophy Room at the Golf Resort. Here is how the Club is described in a 1976 issue of The World News in their Dining Directory Index: “Continental Cusine served in a country club setting. Sportsman’s breakfast from 7 – 11:30 am $.70 - $2.40. Luncheon served 11:30 am – 3 pm. $2.10 – $4.75. Gourmet dinners from 5:30 – 9:30 pm (until 10pm Friday & Saturday). Atmosphere entertainment. Dinner reservations necessary. $5.75 - $12.95. Full menu selection for breakfast, lunch, and dinner. 6:30 am – 11 pm $1 - $7.95.” (To put this in perspective, $12.75 in 1974 is the equivalent of over $55 today, and only the Gulf Coast Room and the Trophy Room offered this sort of price point in all of Walt Disney World.)


Here’s another testimonial, this time from the Summer 1981 issue of Disney News, perhaps a bit more evocative:


Sparkling Evenings at the Lake Buena Vista Club… Imagine yourself comfortably settled amidst the intimate atmosphere of an elegant, private club. A personable, tuxedoed wine captain glides to and fro, attending to your every need; the serving of a sumptuous gourmet meal, or perhaps, the cork-popping of a bottle of vintage wine.
As you savor your meal, you take in a stunning view of a moonlit lagoon, while a trio of strolling musicians lingers near your table, gently rendering a melodic offering you have specially requested.
After losing yourself in the musician’s stylings, you partake of the ‘house specialty’ – a fiery, devilishy delicious concoction containing rum, liquer, and whipped cream. Cares and worries are light years away.”

(The after-dinner coffee mentioned, by the way, is Café Buena Vista – almond liqueur, brandy, coffee, whipped cream and a candied cherry, according to my Cooking with Mickey Around the World from 1986.)

“Lake Buena Vista Club evenings, in particular, offer seekers of “the good life” – couples, singles, families, the young and the young-at-heart, a truly exceptional experience, enhanced by lush, foliaged surroundings, sparkling waters, personalized attention and expertly prepared gourmet meals, highlighted by such unforgettable entrees as Roasted Duck with orange sauce, Supreme of Red Snapper and Steak Diane Flambe.
Add to this gracious environment the stringed instrumentalizings of the ‘Dixie Deltas’ (except Thursdays), an outstanding selection of fine wines, and the Club’s own Café Buena Vista (that ‘devilish’ potion mentioned earlier) and you might very well be ‘spoiled’ by the time you have capped this captivating evening!”

It’s worth noting that, emphasis on alcohol aside - which was indeed a very big difference between Disneyland and Walt Disney World in 1981 – the atmosphere conjured here is pretty similar to Disneyland’s Blue Bayou. In California, Disney had to build an optical illusion of such a place. In Florida, it could be found in nature, waiting for them there.

One short lived and under documented event around this time was the conversion of the Preview Center into “Buena Vista Interiors”, a “quality contract interior decorating firm […] Personalized decorating assistance is available to corporations and individuals leasing townhomes, as well as to Central Florida residents and businessmen.” (interior view at left) Headed by WED’s in-house interior designer Emile Kuri, it’s another intriguing puzzle piece in the story of Disney and American Industry in Lake Buena Vista. This swings us ‘back round to EPCOT and Progress City, of course. From the very get go Disney (Walt) and Disney (Company) knew that much would rise or fall on the involvement of Industry in EPCOT, and part of its’ eventual conversion into a theme park may be a result of Card Walker’s inability to get as many companies interested in forking over huge sums of money during the economically uncertain seventies as was needed to make the Progress City a reality. Disney tried a number of tactics to entice these companies to sign with Disney, and the “lease or buy” program at Lake Buena Vista was one of these.

The construction of the Vacation Villas in 1972 was more or less unpublicized, indicating that Disney initially hoped to sell all of the units or buildings to various companies. “A limited number of one- and two-bedroom villas, fully furnished and complete with linens and kitchenware, are available to families visiting the Vacation Kingdom for short-term rentals.” reports Disney in 1974, several years later, but this was prefaced by the following:

“More than 100 townhomes, incorporating four distinct design styles, already are completed and are available to corporations for two- or three-year-term leases or outright purchase in full. Ideal for executive family vacations, customer entertaining, or sales-incentive-reward holidays, the townhomes come furnished or unfurnished.”

Ah-ha. If at first these townhomes were meant to be purchased in full by companies, then the establishment of a separate interior design firm to furnish these empty Vacation Villas makes perfect sense. Once Disney began publicizing these Villas outside the ‘Host Community’ and in the ‘Vacation Kingdom’, in fact, this “lease-or-buy” theme is constant. While a Spring 1974 Vacationland boasts of an “Exciting, New Lifestyle for American Industry”, a June 1976 World News edition contains the following from a certain Dan W. Darrow, manager of sales and marketing for Lake Buena Vista: “Clients would be impressed with staying in a Treehouse overlooking a fairway, and employees might work harder if they could win a week’s stay in a luxurious Vacation Villa. […] The spacious Villas are ideal for client receptions, business discussions, or cocktail parties with friends.” Those are dollar signs in Disney’s words, there, one must admit, and this sort of angle doesn’t actually vanish from company literature until around 1979, when plans for EPCOT Center the theme park were more or less primed and underway.

Opening in late 1974 and early 1975, some of the most famous and memorable of all early Walt Disney World lodging structures became part of the Lake Buena Vista complex – 60 “Treehouses”, constructed in, in what was an engineering feat for the time, an undisturbed natural wetland – the Treehouses were elevated to allow for natural drainage, as well as protect the structures from the possibility of flooding. What they actually were were a cluster of three bedrooms and a living room apiece, one bedroom on the ground floor, connected to the living room via a spiral staircase, which shared the “top deck” with two bedrooms and a bath.

The Treehouses must be counted amongst Walt Disney World’s most romantically wacky creations. Complete with an outside deck and all-electric kitchen, with parking for electric carts (one presumably left her car at the Club and the cart was free with your room) and a cart pathway which wound alongside the Walt Disney World canal system, past the Lake Buena Vista Club and eventually to the Village, the original Treehouses are emblematic of Disney’s commitment to not repeat themselves with Walt Disney World and offer something sophisticated and different.


All of this development came to the head in May 1975, with the opening of the Lake Buena Vista Shopping Village. The Village was intended to be the cornerstone of the Lake Buena Vista community, literally its downtown. It included such diverse offerings as restaurants, an oyster bar open until 2am, a lounge with jazz performances nightly, and a grocery store to give those people in Vacation Villas and Treehouses something to cook in their kitchens and kitchenettes. The Gourmet Pantry even delivered direct to those staying in the “host community”. Nearby, the hotels of the Lake Buena Vista Motor Lodge were hosting lively nightlife and dining, popular with Walt Disney World guests as well as locals and Cast Members.

The Village's waterfront in 1975

Things were looking up for Lake Buena Vista.


--

Return next week when we discover Club Lake and the Convention Center!

Bonus Images:



Saturday, December 22, 2007

Snapshot! - Christmas from the 1950s

Bad wallpaper, a red flamingo and "Father Knows Best" on an old black and white television--it all adds up to a Christmas living room straight out of the 1950s. This holiday time capsule comes courtesy of the Tune In Lounge in Disney-MGM Studios at Walt Disney World.

Thursday, November 01, 2007

What a Character! - Spike

Animated bees will be all the buzz this weekend courtesy of Jerry Seinfeld and Dreamworks Animation. So what better occasion than this to revisit a certain cartoon insect who was the bane of a famous duck's existence during the heyday of classic Disney animation.

Alternately referred to as either Spike or Buzz-Buzz, the little fellow proved to be a worthy adversary to Donald Duck. Of the name confusion, author and Disney historian John Grant noted "It is certain that the bee who appeared in Bee on Guard was called Buzz-Buzz; a bee antagonized Donald in six other shorts, and this bee was often called Spike. The two bees are, to this eye at least, hard to tell apart; it is possible that any perceived differences may simply be the result of different artists working at difference times."

Spike made his debut in the 1948 cartoon Inferior Decorator. Fooled initially by Donald's flower print wallpaper, he quickly falls victim to the duck's trademark bullying. While Donald tends to maintain the upper hand throughout the short, the plucky Spike perseveres and comeuppance is ultimately delivered in the end.

Spike switched headliners in his second appearance, trading pratfalls with Pluto in the 1949 cartoon Bubble Bee. The short plays off of two totally oddball premises. First, that Pluto finds himself coveting bubble gum balls from a gumball machine. Second, that for some bizarre reason, Spike is pilfering said gumballs and hiding them in the nearby hive. A succession of bubble gum-based gags quickly follows and similar to Donald's previous fate in Inferior Decorator, Pluto also gets it in the end.

Spike returned to Donald Duck cartoons that same year in Honey Harvester, and remained the malicious mallard's co-star for his remaining five appearances. Slide, Donald, Slide, Bee at the Beach and Bee on Guard all featured similar bee-duck craziness. But Spike's final appearance in 1952's Let's Stick Together turned out to be an unintentionally appropriate swan song. An older version of Spike is seen reminiscing about an earlier, and often contentious partnership with Donald. Most notable about the short was that the older Spike was given a normal voice, distinctly different from prior appearances where he had always communicated via high pitched buzzes and squeaks. This is especially ironic in that longtime Donald Duck director Jack Hannah once noted the benefit of this particular attribute, saying "You can get a funny sound effect out of a bee. They can cuss you out with that little bee noise." This older Spike was also similar in personality to another insect supporting player, Bootle Beetle, who co-starred a few times with Donald during roughly the same time period.

Of the end of Spike's career, John Grant observed, " . . . it is very interesting that this retrospective [Let's Stick Together] should appear so abruptly, and at a time when the bee's career looked to be highly successful -- as if, indeed, he was all set to become a regular fixture in Duck movies in perpetuity. One can only assume that Disney overestimated his popularity."

Friday, September 28, 2007

Everything Old is Old Again . . . (And Better)


Live from the World--

Upgrade, plussing, refurbishment. Whatever you want to call it, this was a good one.

The Haunted Mansion has certainly regained its stature as one of the crown jewels of Walt Disney World. Imaginative new show scenes and some figurative spit and polish have combined to create an experience that begs to be revisited numerous times before you take your leave of the Magic Kingdom.

Enhanced audio and some unexpected sound effects bring a whole new level of enjoyment to the "stretching room." What had become a somewhat tired and occasionally muddled auditory mix with a clear emphasis on comical, has been reborn into a genuinely eerie and somewhat disquieting vignette.

The Mansion's famous wallpaper literally extends itself in a simple, yet wholly satisfying effect. Lighting is much improved throughout, especially in the ballroom ghost mash and also in the seance room, where the Mansion's resident (if disembodied) spiritualist, Madame Leota, is not quite as grounded as she used to be.

The most notable and dramatic additions to the attraction involve the addition of the "stair room" and the very distinct re-imagining of the attic. The giant spiders, inarguably the weakest elements of the Mansion's original design, have been replaced with a visually dramatic Escher-esque room of juxtaposing staircases. It's a jawdropper.

Likewise, the attic has evolved away from loud screams and funhouse scares to a very different experience. Expanding on the "bride" theming, it is a more subtle but still undeniably chilling presentation that takes the Mansion's bride mythology in an entirely different direction. The room's set design is stunning in both aesthetics and detail.

While the movie-related enhancements to Pirates of the Caribbean generated more fanfare than this Haunted Mansion makeover will likely enjoy, it still represents a hopeful continued trend of classic attraction upgrades. And in this case, it not just the grim ghosts who come out grinning.

Thursday, July 19, 2007

Desktop Retro: Walt Disney World


2719 Hyperion reader and graphic designer Dan Cunningham made the very generous offer to share with us a wonderful desktop he designed. Dan transports us back in time to Walt Disney World's first decade with this beautiful, retro-inspired wallpaper. This particular graphic was iconic to anyone who visited the Resort during the 1970s. Big thanks to Dan for allowing us to dress up our screens with a little bit of true Walt Disney World nostalgia.

(Above will link to 800x600)


(1024x768)

(1280x1024)

Tuesday, March 13, 2007

Tomorrowland Public Works


Here is another great graphic element from Walt Disney World's "The Future That Never Was." While an embossed metal version of this logo can be seen on trash cans throughout Tomorrowland, this full color version is usually reserved for refurbishment signs and is seen less frequently. The logo's retro-deco look is reminiscent of commercial art styles from the 1930s and 1940s.

For those who want to "clean up" their desktop," here's a wallpaper featuring the design. Click on the image for a full size 1024 x 768 version.

Saturday, January 20, 2007

Jungle Navigation Co., LTD. - Part Two

Here are a couple more items from the queue area of Walt Disney World's Jungle Cruise. Again, the Jungle Navigation Company is identified prominently as the owner of the attraction's fleet of boats. It will be interesting to see if the Jungle Navigation Co., LTD becomes a part of the upcoming Jungle Cruise movie.


The Passport to the Rivers of the Pharaohs is one of a number of artistic renderings scattered around the dock area. Check this earlier post for a desktop wallpaper version of the graphic.

Monday, November 13, 2006

Magic Kingdom Travel Guide

Time again for some desktop wallpaper. The Magic Kingdom Travel Guide is located on a wall on the lower level of the Main Street Train Station. Click to link to a full size version.

Thursday, October 12, 2006

Lotus Tours

Another dock element from Walt Disney World's Jungle Cruise. Link to the larger version if you want to use it as Windows desktop wallpaper.